Miyazaki and Oshii: Anime's clashing titans

After years in Japan, I've only recently become interested in anime, having been introduced to it through the charming work of Miyazaki. Here's an article which is somewhat pessimistic about the future of anime:


"Oshii is the godfather of a futuristic anime style called cyberpunk, and the synapses of anime fans are still quivering from his 'Ghost in the Shell 2: Innocence,' released last year to great fanfare in Japan and a more cautious critical endorsement in the United States.



The film resumes the plot of his 1995 cult hit 'Ghost in the Shell,' praised by the Wachowski brothers as their inspiration for 'The Matrix.' The sequel trails Batou, a Descartes-spouting lug of an anti-terrorist cop as he wends through the morally weary world of 2032. He is trying to find out why gynoids, robots custom-built in female form for sexual company, have gone on a murderous rampage. But Batou is a human spirit living in a mechanized body. And he lives in a time when the bad guys can hack into your brain and download phony ideas and memories just to mess with you."

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