Paleopoetics

Another poem I recently uncovered from my writings in my late teens. By this time I was a convinced agnostic (oxymoron?), and, judging from the content of this poem, influenced by W.H. Auden's masterpiece "Musee des Beaux Arts"

ON A CRUCIFIXION EVENING

On a crucifixion evening
come drift with me,
expecting every moment a cataclysmic roar
as the veil of the temple is rent in twain,
awaiting terror on each symbolic face
as the saints arise that have slept.

But in the meantime
come over here and watch
this dog die whining in the Via Dolorosa.
The last man home to supper from the darkening hill
(weeping for the shadows in the soul of Man
and the Pilate in himself) kicked in his rage
too hard the outlined ribs, which broken now
glide unacknowledged through his prophet dreams
and welcome him with laughter to the destined throng.

Look now behind you--
far beyond Calvary,
untouched by thorns, that sliver of moon
drops behind palms that fringe a silver pool,
and the nightingale sleeps in echoes of song.

Nothing much happening
in Jerusalem tonight.
My apologies; I was led to expect...
Well, let us go home. It's disappointing to hear
no tumult in temple or graveyard, to know
the cats of the fountain will scratch for garbage
though lions await their martyred meals.

I suppose you realise
what this means?
The leaves that shade the courtyard of Joan's flames
will grow despite her burning. Blossoms there
will welcome spring without remorse,
though we be images of a god.

In view of this
let us alter our report
about tonight, and continue to shape
impassive Nature partner to our dustborn tears,
recounting each disaster in that human key
that makes it more important than the loneliness
in the arid searching eye of the last mastodon.

But you know, somehow
I can't help feeling
the sun was blazing when Adam fell,
and that his hasty departure by the eastern gates
caused little consternation in the garden.

-CMC-

Blind Man

I recently came across a few poems I wrote ages ago, when I was about 19. Somehow I still like them, despite the fact that the influence of Dylan Thomas is overwhelmingly obvious. Here's one of them, which makes much of the insight common in Thomas's work that the end of things is implicit in their beginning.

BLIND MAN

This was my apocalypse,
The sharp light cracking on the eastern front
No more, the black dew frozen to my eyes,
Cut down my stature of senses.
Dark of my mother and the coffin womb
Flood again with crushing of the light.
.
In my dust-limbed anger of rough eclipse,
Marooned on four senses I dying hunt
The slipping Phoenix in his blazing lies;
I mold this terror to the first defenses,
The barrier circling this burrow tomb,
Caught in the budding flesh a hollow night.
.
And now below the sliding of the seas
I hear the soft dark mourning of the whale,
The moan of foaming salmon streaking home to die,
The curving dolphin in its grief.
The diving rain pins laughter to the oak --
I hear it choking in the summer's fist.
.
I feel the fury in the acorn freeze,
And under searing sun the rushing hail;
I breathe the scent of dying roses in July
And taste the bitter dew that drowns the morning leaf.
The autumn snaps again the stem that Eden broke,
And yearly shrouds the child the first moon kissed.
.
-C.M.C.-